Jane Remover cuts between glitchy club frameworks and pop hooks that refuse to sit still. Recorded over a few months in 2024, then mixed in batches through late 2025, the six tracks here feel like they were assembled in bursts rather than as a single statement. Percussion snaps and pitches around, vocal takes get chopped mid-phrase, and the low end never settles into one texture for long. There are clear melodic centres, but the production keeps pulling focus before anything resolves cleanly.
The extended mix of "How to Teleport" stretches ideas that might have felt tight at three minutes, and the sequencing jumps between tempos without much transition. That restlessness is the point. This is for people who want pop structures but not pop predictability, who like their hooks surrounded by enough digital grit that nothing feels too polished. It sits closer to the experimental end of the pop-club spectrum than the accessible one, and it does not try to meet you halfway.
