Roses by WIDOWSPEAK
Widowspeak’s seventh record is unhurried dream pop with a cosmic country twang and rough edges left in.
Return To Cookie Mountain by TV on the Radio
Brooklyn’s TV on the Radio layer distorted guitars, programmed beats and doo-wop harmonies into a restless, textured second album.
Remains by Tokyo Shoegazer
Tokyo Shoegazer layer guitars and patient distortion across eight tracks of polished Japanese shoegaze.
Pale Burnt Lake by Virginia Wing
A cassette of sketches and improvised pieces from the Manchester band.
Plans by Death Cab for Cutie
Seattle indie rock recorded in a barn, cleaner and fuller than their earlier work without losing the melancholy.
Patience, Moonbeam by Great Grandpa
Seattle five-piece returns after a near breakup with eleven songs that shift between heavy and tender, self-produced and more collaborative.
Pleasure For The Holy by Modele
Toronto duo deliver dark, layered post-punk with clean production, ebow textures and drum programming that knows when to swing.
Pop Food by Jack Stauber
Eleven short, warped pop songs built from toy synths, stacked vocals and rhythms that rarely stay in one place.
Pendulum by Twin Tribes
Brownsville duo deliver ten tracks of drum machines, cold synths and detached vocals that recall early Factory Records.
October By Name by Kavus Torabi
Torabi plays every instrument across six songs that veer from jangle-pop to droning psych without asking permission.