Babebee wrote, produced and played most of this herself, with Freddy Baca adding bass on five tracks. It started during a winter depression that lifted once she began fostering puppies, the lack of sleep and sudden routine pushed her back into making music, and the album named itself after the shelter where she found them. One of the songs is about Milo, the dog she ended up keeping.
The sound leans into dream pop and shoegaze with electronic touches. Guitars blur into synth pads, vocals sit back in the mix, and the production has that soft-focus quality where everything bleeds together just enough. Nine tracks, some with single-word titles, some phrased as questions. It moves between introspective and gently propulsive without ever getting loud or sharp-edged.
This is for anyone drawn to bedroom-produced records that sound considered rather than rough, and to lyrics about control, safety and learning to look after yourself. The Korean-American artist is based in Atlanta and released it independently through her own imprint.
