[rdm073] Federico Barabino : Ruido is not noise by Federico Barabino

Two extended pieces built from electric guitar and electronics, each pushing past the half-hour mark. Non-impulse opens with atmospheric processing before shifting into granular texture work, while Sound commits fully to material exploration across its thirty-four minutes. The approach favors sustained investigation over episodic development — timbres morph gradually, densities accumulate and recede, and the guitar source becomes less recognizable as the pieces progress. The production sits somewhere between prepared instrument documentation and abstract sound design, with enough rawness to suggest live processing decisions rather than post-production assembly.

Released through Ruidemos, an Argentinian platform that documented experimental practice in the late 2000s, the album arrives from a scene that valued duration and patience over immediate impact. The label's output often leaned into extended-form work that prioritized textural inquiry, positioning this release alongside other South American artists working at the intersection of improvisation and electronic manipulation. Barabino's method shares common ground with guitarists who treat their instrument as raw material rather than melodic vehicle — think the more abstract end of lowercase electroacoustic practice.

This is for listeners who can sit with slow-moving sound and find detail in repetition. The commitment to length and the refusal of conventional structure make it unsuitable for casual background listening, but those drawn to process-based work and extended-form electroacoustic exploration will find substance in the commitment.