Janne Nummela builds these twelve pieces using field recordings, speech fragments and synthesizers — both virtual analog models and instruments programmed in Max/MSP. The rhythmic structure is polymetric, with multiple tempos running in parallel, and the timbral palette shifts between environmental sound, pitched electronic tones and sampled sources under heavy processing. Most tracks emerge from a composition tool Nummela coded himself, a system that converts parametric data into MIDI and synthesis control values. The process draws on serialist methods associated with Stockhausen and Messiaen, applying those organizational principles to contemporary software and studio tools. Real-time auditory feedback shapes the material during production, though the setup remains too unstable for live performance.
Level Crossing appears on Eg0, a label that has released Nummela's work since 2013. The Finnish artist approaches experimental music as process art, prioritizing the intersection of technology and creative methodology over genre convention. The album sits within a larger compositional project begun in early 2015, and its twelve tracks function as documents of that ongoing laboratory work rather than standalone statements.
This is for listeners who want to hear how serialist composition translates into digital environments, and for those interested in the mechanics of generative music systems. The focus here is on structure and method — the album rewards attention to how sounds are organized, not just what they evoke.